Raymond Nardozza Photography
Wednesday, November 13, 2013
The way I see it
If I was the owner of a business and I asked a photographer
to take some pictures of my factory for a brochure or some kind of promo, I
would like him to show me in his work that my plant is clean, efficient and
well lit, that my equipments are modern and in top conditions and that my
employees are smart and competent. The first thing that I did when I entered
the machine shop was to try to find a way to shoot into a corner. It didn’t matter
if the room was big or not. Shooting into a corner creates some spacial references
and makes any interior look good. Even better there was a machine with lots of
knobs and colorful yellow parts at a perfect angle for what I was trying to execute.
Another element is the verticals; they have to be straight in this type of picture.
I was impressed by the student that posed for me. Carl turned out to be quite a
brilliant young man. He explained to me the functions of the machine and he
told me that he would prefer if possible to be captured operating the mechanism
rather than standing in front of it. I agreed with that. I set up the lights
like in my diagram and the result was I think a well balanced shot. See below for a five photos essay on a Rudyard Kipling poem.
The Secret of the Machines
We were taken from the ore-bed and the mine,
We were melted in
the furnace and the pit—
We were cast and wrought and hammered to design,
Some water and oil is all we ask,
And a thousandth of
an inch to give us play:
And now, if you will set us to our task,
We will serve you
four and twenty hours a day!
But remember, please, the Law by which we live,
We are not built to
comprehend a lie,
We can neither love nor pity nor forgive.
If you make a slip
in handling us you die!
We are greater than the Peoples or the Kings—
Be humble, as you
crawl beneath our rods!-
Our touch can alter all created things,
We are everything on earth—except The Gods!
BY RUDYARD KIPLING
Sunday, November 10, 2013
Fall2013_A#4 Corporate Industrial
Pre
Production Questionnaire
1. What type of available lighting will you be
encountering? Being in a second floor
basement there is no windows and therefore no natural light. This is not an old
factory, the place is well lit. The lights are high enough and are evenly
spread. There is no dark area or corners.
2. What is your intention in terms of how you plan to use
the available light, how will you be addressing the Color Balance for this
mixed light situation? It’s a florescent
light situation. I will use a green gel on the flash.
3. What is the reason for your lens choice? (Do you want the
compression of a long lens or the exaggerated perspective of a wide angle,
fixed focal length or zoom)? I would
like to be able to show the ambiance of the place while concentrating on the
man and the machine. So a long lens with a zoom should be good.
4. What words would you use to describe the Visual Style you
are looking to create in this image? An Industrial photograph that could finds
itself in a company pamphlet or brochure.
5. What aperture do you plan to use and why?
6. What shutter speed to you plan to use and why?
7. What ISO do you plan to use? I already tested my lighting at ISO800,
F/4.2 and 125sec. F/4 is the lowest I could go with the lens I had at the demo
and I manage to get an evenly lit image with these settings.
8. Are there any technical problems that will need to be
addressed at the shoot or any steps you feel will be needed in
post-production? The place could be
cramped, so there could be some changes in the angles of view. There could be
some post or equipment in the way to block the strobes lights. Lighting
equipments from other students could be visible in the background.
9. What equipment you will need for the shoot? 2 strobe lights, one main and one fill. One
softbox and one umbrella. Camera, light stands, grey card, light meter. I will
also bring some gobos and accessories.
10. Who will be your subject and how will they be
represented? A student will be represented
as operating the machinery.
Sunday, November 3, 2013
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